Class EaxReverb
java.lang.Object
de.pottgames.tuningfork.SoundEffectData
de.pottgames.tuningfork.EaxReverb
The EAX Reverb parameter set is a superset of the standard OpenAL Effects Extension environmental reverb effect. Additional parameters allow for: Closer
control over the tone of the reverb Reverb directivity, using panning vectors Reverb granularity, using echo controls The EAX Reverb is natively
supported on any devices that support the EAX 3.0 or above standard, including: SoundBlaster Audigy series soundcards SoundBlaster X-Fi series soundcards
The EAX Reverb will be emulated on devices that only support EAX 2.0. Note: The “Generic Software” device falls into this category as the software mixer
supports the EAX 2.0 Reverb effect.
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Field Summary
FieldsModifier and TypeFieldDescriptionfloatRange: (0.892–1.0), Default: (0.994)
The Air Absorption Gain HF property controls the distance-dependent attenuation at high frequencies caused by the propagation medium.
It applies to reflected sound only.booleanDefault: (True)
When this flag is set, the high-frequency decay time automatically stays below a limit value that’s derived from the setting of the property Air Absorption HF.
This limit applies regardless of the setting of the property Decay HF Ratio, and the limit doesn’t affect the value of Decay HF Ratio.floatRange: (0.1–2.0), Default: (0.83)
The Decay HF Ratio property sets the spectral quality of the Decay Time parameter.
It is the ratio of high-frequency decay time relative to the time set by Decay Time.floatRange: (0.1–2.0), Default: (1.0)
The Decay LF Ratio property adjusts the spectral quality of the Decay Time parameter.
It is the ratio of low-frequency decay time relative to the time set by Decay Time.floatRange: (0.1–20.0), Default: (1.49)
The Decay Time property sets the reverberation decay time.
It ranges from 0.1 (typically a small room with very dead surfaces) to 20.0 (typically a large room with very live surfaces).floatRange: (0.0–1.0), Default: (1.0)
Reverb Modal Density controls the coloration of the late reverb.
Lowering the value adds more coloration to the late reverb.floatRange: (0.0–1.0), Default: (1.0)
The Reverb Diffusion property controls the echo density in the reverberation decay.
It’s set by default to 1.0, which provides the highest density.floatRange: (0.0–1.0), Default: (0.0)
Echo Depth introduces a cyclic echo in the reverberation decay, which will be noticeable with transient or percussive sounds.
A larger value of Echo Depth will make this effect more prominent.floatRange: (0.075–0.25), Default: (0.25)
Echo Depth introduces a cyclic echo in the reverberation decay, which will be noticeable with transient or percussive sounds.
A larger value of Echo Depth will make this effect more prominent.floatRange: (0.0–1.0), Default: (0.32)
The Reverb Gain property is the master volume control for the reflected sound (both early reflections and reverberation) that the reverb effect adds to all sound sources.
It sets the maximum amount of reflections and reverberation added to the final sound mix.floatRange: (0.0–1.0), Default: (0.89)
The Reverb Gain HF property further tweaks reflected sound by attenuating it at high frequencies.
It controls a low-pass filter that applies globally to the reflected sound of all sound sources feeding the particular instance of the reverb effect.floatRange: (0.0–1.0), Default: (0.0)
The Reverb Gain LF property further tweaks reflected sound by attenuating it at low frequencies.
It controls a high-pass filter that applies globally to the reflected sound of all sound sources feeding the particular instance of the reverb effect.floatRange: (1000.0–20000.0), Default: (5000.0)
The properties HF Reference and LF Reference determine respectively the frequencies at which the high-frequency effects and the low-frequency effects created by EAX Reverb properties are measured, for example Decay HF Ratio and Decay LF Ratio.
Note that it is necessary to maintain a factor of at least 10 between these two reference frequencies so that low frequency and high frequency properties can be accurately controlled and will produce independent effects.floatRange: (0.0–0.1), Default: (0.011)
The Late Reverb Delay property defines the begin time, in seconds, of the late reverberation relative to the time of the initial reflection (the first of the early reflections).
It ranges from 0 to 100 milliseconds.floatRange: (0.0–10.0), Default: (1.26)
The Late Reverb Gain property controls the overall amount of later reverberation relative to the Gain property .
(The Gain property sets the overall amount of both initial reflections and later reverberation.) The value of Late Reverb Gain ranges from a maximum of 10.0 (+20 dB) to a minimum of 0.0 (-100 dB) (no late reverberation at all).final com.badlogic.gdx.math.Vector3Range: (0.0–1.0), Default: (0,0,0)
The Late Reverb Pan property is a 3D vector that controls the spatial distribution of the late reverb.
The direction of this vector controls the global direction of the reverb, while its magnitude controls how focused the reverb are towards this direction.floatRange: (20.0–1000.0), Default: (250.0)
The properties HF Reference and LF Reference determine respectively the frequencies at which the high-frequency effects and the low-frequency effects created by EAX Reverb properties are measured, for example Decay HF Ratio and Decay LF Ratio.
Note that it is necessary to maintain a factor of at least 10 between these two reference frequencies so that low frequency and high frequency properties can be accurately controlled and will produce independent effects.floatRange: (0.0–1.0), Default: (0.0)
Using modulationTime and modulationDepth, you can create a pitch modulation in the reverberant sound.
This will be most noticeable applied to sources that have tonal color or pitch.floatRange: (0.004–4.0), Default: (0.25)
Using modulationTime and modulationDepth, you can create a pitch modulation in the reverberant sound.
This will be most noticeable applied to sources that have tonal color or pitch.floatRange: (0.0–0.3), Default: (0.007)
The Reflections Delay property is the amount of delay, in seconds, between the arrival time of the direct path from the source to the first reflection from the source.
It ranges from 0 to 300 milliseconds.floatRange: (0.0–3.16), Default: (0.05)
The Reflections Gain property controls the overall amount of initial reflections relative to the Gain property .
(The Gain property sets the overall amount of reflected sound: both initial reflections and later reverberation.) The value of Reflections Gain ranges from a maximum of 3.16 (+10 dB) to a minimum of 0.0 (-100 dB) (no initial reflections at all), and is corrected by the value of the Gain property.final com.badlogic.gdx.math.Vector3Range: (0.0–1.0), Default: (0,0,0)
The Reflections Pan property is a 3D vector that controls the spatial distribution of the cluster of early reflections.
The direction of this vector controls the global direction of the reflections, while its magnitude controls how focused the reflections are towards this direction.
It is important to note that the direction of the vector is interpreted in the coordinate system of the user, without taking into account the orientation of the virtual listener.floatRange: (0.0–10.0), Default: (0.0)
The Room Rolloff Factor property is one of two methods available to attenuate the reflected sound (containing both reflections and reverberation) according to source-listener distance.
It’s defined the same way as OpenAL’s Rolloff Factor, but operates on reverb sound instead of direct-path sound. -
Constructor Summary
Constructors -
Method Summary
Modifier and TypeMethodDescriptionstatic EaxReverballey()protected voidapply(int effectId) static EaxReverbarena()static EaxReverbstatic EaxReverbbathroom()static EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbcave()static EaxReverbchapel()static EaxReverbcity()static EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbdizzy()static EaxReverbstatic EaxReverbdomeTomb()static EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbdrugged()static EaxReverbbooleanstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbforest()static EaxReverbgeneric()static EaxReverbhallway()static EaxReverbhangar()inthashCode()static EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbmoodHell()static EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbplain()static EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbquarry()static EaxReverbroom()static EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbtoString()static EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverbstatic EaxReverb
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Field Details
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density
public float densityRange: (0.0–1.0), Default: (1.0)
Reverb Modal Density controls the coloration of the late reverb.
Lowering the value adds more coloration to the late reverb. -
diffusion
public float diffusionRange: (0.0–1.0), Default: (1.0)
The Reverb Diffusion property controls the echo density in the reverberation decay.
It’s set by default to 1.0, which provides the highest density. Reducing diffusion gives the reverberation a more “grainy” character that is especially noticeable with percussive sound sources. If you set a diffusion value of 0.0, the later reverberation sounds like a succession of distinct echoes. -
gain
public float gainRange: (0.0–1.0), Default: (0.32)
The Reverb Gain property is the master volume control for the reflected sound (both early reflections and reverberation) that the reverb effect adds to all sound sources.
It sets the maximum amount of reflections and reverberation added to the final sound mix. The value of the Reverb Gain property ranges from 1.0 (0db) (the maximum amount) to 0.0 (-100db) (no reflected sound at all). -
gainHf
public float gainHfRange: (0.0–1.0), Default: (0.89)
The Reverb Gain HF property further tweaks reflected sound by attenuating it at high frequencies.
It controls a low-pass filter that applies globally to the reflected sound of all sound sources feeding the particular instance of the reverb effect. The value of the Reverb Gain HF property ranges from 1.0 (0 dB) (no filter) to 0.0 (-100 dB) (virtually no reflected sound). The field highFrequencyReference sets the frequency at which the value of this property is measured. -
gainLf
public float gainLfRange: (0.0–1.0), Default: (0.0)
The Reverb Gain LF property further tweaks reflected sound by attenuating it at low frequencies.
It controls a high-pass filter that applies globally to the reflected sound of all sound sources feeding the particular instance of the reverb effect. The value of the Reverb Gain LF property ranges from 1.0 (0db) (no filter) to 0.0 (-100db) (virtually no reflected sound). The field lowFrequencyReference sets the frequency at which the value of this property is measured. -
decayTime
public float decayTimeRange: (0.1–20.0), Default: (1.49)
The Decay Time property sets the reverberation decay time.
It ranges from 0.1 (typically a small room with very dead surfaces) to 20.0 (typically a large room with very live surfaces). -
decayHfRatio
public float decayHfRatioRange: (0.1–2.0), Default: (0.83)
The Decay HF Ratio property sets the spectral quality of the Decay Time parameter.
It is the ratio of high-frequency decay time relative to the time set by Decay Time. The Decay HF Ratio value 1.0 is neutral: the decay time is equal for all frequencies. As Decay HF Ratio increases above 1.0, the high-frequency decay time increases so it’s longer than the decay time at low frequencies. You hear a more brilliant reverberation with a longer decay at high frequencies. As the Decay HF Ratio value decreases below 1.0, the high-frequency decay time decreases so it’s shorter than the decay time of the low frequencies. You hear a more natural reverberation. -
decayLfRatio
public float decayLfRatioRange: (0.1–2.0), Default: (1.0)
The Decay LF Ratio property adjusts the spectral quality of the Decay Time parameter.
It is the ratio of low-frequency decay time relative to the time set by Decay Time. The Decay LF Ratio value 1 .0 is neutral: the decay time is equal for all frequencies. As Decay LF Ratio increases above 1.0, the low-frequency decay time increases so it’s longer than the decay time at mid frequencies. You hear a more booming reverberation with a longer decay at low frequencies. As the Decay LF Ratio value decreases below 1.0, the low-frequency decay time decreases so it’s shorter than the decay time of the mid frequencies. You hear a more tinny reverberation. -
reflectionsGain
public float reflectionsGainRange: (0.0–3.16), Default: (0.05)
The Reflections Gain property controls the overall amount of initial reflections relative to the Gain property .
(The Gain property sets the overall amount of reflected sound: both initial reflections and later reverberation.) The value of Reflections Gain ranges from a maximum of 3.16 (+10 dB) to a minimum of 0.0 (-100 dB) (no initial reflections at all), and is corrected by the value of the Gain property. The Reflections Gain property does not affect the subsequent reverberation decay.
You can increase the amount of initial reflections to simulate a more narrow space or closer walls, especially effective if you associate the initial reflections increase with a reduction in reflections delays by lowering the value of the Reflection Delay property. To simulate open or semi-open environments, you can maintain the amount of early reflections while reducing the value of the Late Reverb Gain property, which controls later reflections. -
reflectionsDelay
public float reflectionsDelayRange: (0.0–0.3), Default: (0.007)
The Reflections Delay property is the amount of delay, in seconds, between the arrival time of the direct path from the source to the first reflection from the source.
It ranges from 0 to 300 milliseconds. You can reduce or increase Reflections Delay to simulate closer or more distant reflective surfaces and therefore control the perceived size of the room. -
reflectionsPan
public final com.badlogic.gdx.math.Vector3 reflectionsPanRange: (0.0–1.0), Default: (0,0,0)
The Reflections Pan property is a 3D vector that controls the spatial distribution of the cluster of early reflections.
The direction of this vector controls the global direction of the reflections, while its magnitude controls how focused the reflections are towards this direction.
It is important to note that the direction of the vector is interpreted in the coordinate system of the user, without taking into account the orientation of the virtual listener. For instance, assuming a four-point loudspeaker playback system, setting Reflections Pan to (0., 0., 0.7) means that the reflections are panned to the front speaker pair, whereas as setting of (0., 0., −0.7) pans the reflections towards the rear speakers. These vectors follow the a left-handed co-ordinate system, unlike OpenAL uses a right-handed co-ordinate system.
If the magnitude of Reflections Pan is zero (the default setting), the early reflections come evenly from all directions. As the magnitude increases, the reflections become more focused in the direction pointed to by the vector. A magnitude of 1.0 would represent the extreme case, where all reflections come from a single direction. -
lateReverbGain
public float lateReverbGainRange: (0.0–10.0), Default: (1.26)
The Late Reverb Gain property controls the overall amount of later reverberation relative to the Gain property .
(The Gain property sets the overall amount of both initial reflections and later reverberation.) The value of Late Reverb Gain ranges from a maximum of 10.0 (+20 dB) to a minimum of 0.0 (-100 dB) (no late reverberation at all). Note that Late Reverb Gain and Decay Time are independent properties: If you adjust Decay Time without changing Late Reverb Gain, the total intensity (the averaged square of the amplitude) of the late reverberation remains constant. -
lateReverbDelay
public float lateReverbDelayRange: (0.0–0.1), Default: (0.011)
The Late Reverb Delay property defines the begin time, in seconds, of the late reverberation relative to the time of the initial reflection (the first of the early reflections).
It ranges from 0 to 100 milliseconds. Reducing or increasing Late Reverb Delay is useful for simulating a smaller or larger room. -
lateReverbPan
public final com.badlogic.gdx.math.Vector3 lateReverbPanRange: (0.0–1.0), Default: (0,0,0)
The Late Reverb Pan property is a 3D vector that controls the spatial distribution of the late reverb.
The direction of this vector controls the global direction of the reverb, while its magnitude controls how focused the reverb are towards this direction. The details under reflectionsPan, above, also apply to Late Reverb Pan. -
echoTime
public float echoTimeRange: (0.075–0.25), Default: (0.25)
Echo Depth introduces a cyclic echo in the reverberation decay, which will be noticeable with transient or percussive sounds.
A larger value of Echo Depth will make this effect more prominent. Echo Time controls the rate at which the cyclic echo repeats itself along the reverberation decay. For example, the default setting for Echo Time is 250 ms. causing the echo to occur 4 times per second. Therefore, if you were to clap your hands in this type of environment, you will hear four repetitions of clap per second.
Together with Reverb Diffusion, Echo Depth will control how long the echo effect will persist along the reverberation decay. In a more diffuse environment, echoes will wash out more quickly after the direct sound. In an environment that is less diffuse, you will be able to hear a larger number of repetitions of the echo, which will wash out later in the reverberation decay. If Diffusion is set to 0.0 and Echo Depth is set to 1.0, the echo will persist distinctly until the end of the reverberation decay. -
echoDepth
public float echoDepthRange: (0.0–1.0), Default: (0.0)
Echo Depth introduces a cyclic echo in the reverberation decay, which will be noticeable with transient or percussive sounds.
A larger value of Echo Depth will make this effect more prominent. Echo Time controls the rate at which the cyclic echo repeats itself along the reverberation decay. For example, the default setting for Echo Time is 250 ms. causing the echo to occur 4 times per second. Therefore, if you were to clap your hands in this type of environment, you will hear four repetitions of clap per second.
Together with Reverb Diffusion, Echo Depth will control how long the echo effect will persist along the reverberation decay. In a more diffuse environment, echoes will wash out more quickly after the direct sound. In an environment that is less diffuse, you will be able to hear a larger number of repetitions of the echo, which will wash out later in the reverberation decay. If Diffusion is set to 0.0 and Echo Depth is set to 1.0, the echo will persist distinctly until the end of the reverberation decay. -
modulationTime
public float modulationTimeRange: (0.004–4.0), Default: (0.25)
Using modulationTime and modulationDepth, you can create a pitch modulation in the reverberant sound.
This will be most noticeable applied to sources that have tonal color or pitch. You can use this to make some trippy effects! Modulation Time controls the speed of the vibrato (rate of periodic changes in pitch). -
modulationDepth
public float modulationDepthRange: (0.0–1.0), Default: (0.0)
Using modulationTime and modulationDepth, you can create a pitch modulation in the reverberant sound.
This will be most noticeable applied to sources that have tonal color or pitch. You can use this to make some trippy effects! Modulation Depth controls the amount of pitch change. Low values of Diffusion will contribute to reinforcing the perceived effect by reducing the mixing of overlapping reflections in the reverberation decay. -
airAbsorptionGainHf
public float airAbsorptionGainHfRange: (0.892–1.0), Default: (0.994)
The Air Absorption Gain HF property controls the distance-dependent attenuation at high frequencies caused by the propagation medium.
It applies to reflected sound only. You can use Air Absorption Gain HF to simulate sound transmission through foggy air, dry air, smoky atmosphere, and so on. The default value is 0.994 (-0.05 dB) per meter, which roughly corresponds to typical condition of atmospheric humidity, temperature, and so on. Lowering the value simulates a more absorbent medium (more humidity in the air, for example); raising the value simulates a less absorbent medium (dry desert air, for example). -
hfReference
public float hfReferenceRange: (1000.0–20000.0), Default: (5000.0)
The properties HF Reference and LF Reference determine respectively the frequencies at which the high-frequency effects and the low-frequency effects created by EAX Reverb properties are measured, for example Decay HF Ratio and Decay LF Ratio.
Note that it is necessary to maintain a factor of at least 10 between these two reference frequencies so that low frequency and high frequency properties can be accurately controlled and will produce independent effects. In other words, the LF Reference value should be less than 1/10 of the HF Reference value. -
lfReference
public float lfReferenceRange: (20.0–1000.0), Default: (250.0)
The properties HF Reference and LF Reference determine respectively the frequencies at which the high-frequency effects and the low-frequency effects created by EAX Reverb properties are measured, for example Decay HF Ratio and Decay LF Ratio.
Note that it is necessary to maintain a factor of at least 10 between these two reference frequencies so that low frequency and high frequency properties can be accurately controlled and will produce independent effects. In other words, the LF Reference value should be less than 1/10 of the HF Reference value. -
roomRolloffFactor
public float roomRolloffFactorRange: (0.0–10.0), Default: (0.0)
The Room Rolloff Factor property is one of two methods available to attenuate the reflected sound (containing both reflections and reverberation) according to source-listener distance.
It’s defined the same way as OpenAL’s Rolloff Factor, but operates on reverb sound instead of direct-path sound. Setting the Room Rolloff Factor value to 1.0 specifies that the reflected sound will decay by 6 dB every time the distance doubles. Any value other than 1.0 is equivalent to a scaling factor applied to the quantity specified by ((Source listener distance) - (Reference Distance)). Reference Distance is an OpenAL source parameter that specifies the inner border for distance rolloff effects: if the source comes closer to the listener than the reference distance, the direct-path sound isn’t increased as the source comes closer to the listener, and neither is the reflected sound.
The default value of Room Rolloff Factor is 0.0 because, by default, the Effects Extension reverb effect naturally manages the reflected sound level automatically for each sound source to simulate the natural rolloff of reflected sound vs. distance in typical rooms. (Note that this isn’t the case if the source property flag AL_AUXILIARY_SEND_FILTER_GAIN_AUTO is set to AL_FALSE) You can use Room Rolloff Factor as an option to automatic control so you can exaggerate or replace the default automatically-controlled rolloff. -
decayHfLimit
public boolean decayHfLimitDefault: (True)
When this flag is set, the high-frequency decay time automatically stays below a limit value that’s derived from the setting of the property Air Absorption HF.
This limit applies regardless of the setting of the property Decay HF Ratio, and the limit doesn’t affect the value of Decay HF Ratio. This limit, when on, maintains a natural sounding reverberation decay by allowing you to increase the value of Decay Time without the risk of getting an unnaturally long decay time at high frequencies. If this flag is set to AL_FALSE, high-frequency decay time isn’t automatically limited.
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Constructor Details
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EaxReverb
public EaxReverb()
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Method Details
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generic
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paddedCell
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room
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bathroom
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livingRoom
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stoneRoom
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auditorium
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concertHall
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cave
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arena
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hangar
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carpetedHallway
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hallway
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stoneCorridor
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alley
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forest
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city
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mountains
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quarry
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plain
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parkingLot
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sewerpipe
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underwater
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drugged
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dizzy
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psychotic
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castleSmallRoom
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castleShortPassage
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castleMediumRoom
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castleLargeRoom
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castleLongPassage
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castleHall
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castleCupboard
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castleCourtyard
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castleAlcove
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factorySmallRoom
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factoryShortPassage
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factoryMediumRoom
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factoryLargeRoom
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factoryLongPassage
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factoryHall
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factoryCupboard
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factoryCourtyard
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factoryAlcove
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icepalaceSmallRoom
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icepalaceShortPassage
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icepalaceMediumRoom
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icepalaceLargeRoom
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icepalaceLongPassage
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icepalaceHall
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icepalaceCupboard
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icepalaceCourtyard
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icepalaceAlcove
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spacestationSmallRoom
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spaceStationShortPassage
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spaceStationMediumRoom
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spaceStationLargeRoom
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spaceStationLongPassage
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spaceStationHall
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spaceStationCupboard
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spaceStationAlcove
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woodenSmallRoom
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woodenShortPassage
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woodenMediumRoom
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woodenLargeRoom
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woodenLongPassage
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woodenHall
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woodenCupboard
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woodenCourtyard
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woodenAlcove
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sportEmptystadium
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sportSquashCourt
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sportSmallSwimmingpool
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sportLargeSwimmingpool
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sportGymnasium
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sportFullStadium
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sportStadiumTannoy
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prefabWorkshop
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prefabSchoolRoom
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prefabPractiseRoom
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prefabOuthouse
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prefabCaravan
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domeTomb
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pipeSmall
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domeSaintPauls
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pipeLongThin
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pipeLarge
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pipeResonant
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outdoorsBackyard
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outdoorsRollingPlains
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outdoorsDeepCanyon
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outdoorsCreek
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outdoorsValley
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moodHeaven
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moodHell
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moodMemory
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drivingCommentator
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drivingPitGarage
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drivingInCarRacer
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drivingInCarSports
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drivingInCarLuxury
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drivingFullGrandStand
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drivingEmptyGrandStand
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drivingTunnel
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cityStreets
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citySubway
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cityMuseum
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cityLibrary
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cityUnderpass
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cityAbandoned
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dustyRoom
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chapel
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smallWaterRoom
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apply
protected void apply(int effectId) - Specified by:
applyin classSoundEffectData
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hashCode
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equals
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toString
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